"The art of
ghandi is the necessity to defend or sustain, defend by a strike to a
surface or non innocent where you pull the punches and they don't have
to take it. As this is the point this is in an upper area personally
thought to use. As a space that if the person is in thought you can get
what you think, they get the energy that you think to recieve or that
is what seems to create sustaining. Thought or where you are and can as
to be. The not use of this is to not hit or punch to sustain what you
feel. That is good enough. That is quick blows in succesion to shift
energy to see, as if thought and you can detail where it will go or
where you think. The energy to be or not to be, as in a plan you don't need to do or be
for another.
Don't suspend time by thought to suspend as something happens,
this is by realization of what you are doing if you don't want to
use this point. Don't use the thought or idea as you can get thought
to work an use in thought, as the thought is if you suspend the
moments by what element you see and time that is stands as not
actually happening. Think or find useful idea, this from people
to make use or keep is a point to create with.
That is this place is abandoned, as the illusion is people or
the objects you think to exist or unexist. As it depends if you can
feel the blows hit to think your effective, if necessary and otherwise
use or not tis is a fear slap to avoid. Think or point out something
to think about to get an idea useful in response, as you are and
things are what you can create by feel or lore. As if you are not
overreacting, your not responding except to the creator energy." -Ghendi
"You know watching them isn't what is conclusive that they exist. As
your energy exists something the reality bewteen true realism and the
area that is around you, is a blur as an idea to see and understand
reality and imagination. As I went with gandalf I found this out. I now
understand what the difference is now that I can see by the psychic
idea, illusion or rubbing energy that stops as magic is done. I now
understand your idea of a horse, as I understand don't believe
everything as you hear.
Revert the time by intending the reversion of what is unliked,
as you revert the time by a thought touch to the object that caused
what you think as this is so perfect in a dimension. See all that is
to be as everything, but don't always
react. Its a process of procedure even as a thought if its a problem.
As you can see this isn't all that it is meant to be or not, as your
idea was to figure the thought or create results to gnow if the idea
works." -A hobbit.
Theres
dance of fighting an there is dance an it is written down as here.
There's normal dance and theres dance fighting. Dance fighting is an
art form of dance where normal dancing is the art of display and byplay
with movement by an in body act. This art form has two parts; dance
fighting and dance magic..The two are intertwined. I will describe
dance fighting first.
Dancing
and fighting in a balance of form and is what it is described as. When
dance fighting, you can easily win a fight by yourself or help the to
be won by your side. Mostly scrapes and bruises come from it. There are
never broken bones due to the fact of the energy generated kinetic
motion when dancing. When dancing, the body avoids blows because of the
air factor and the flow of the form through balance combined with the
kinetic motion energy. When balance is lost, it can cause death to the
person when fighting in an actual fight.
This
art form of dance is done by holding yourself still. Imagine yourself
on a pedestal in your mind that is unmoving as though rock itself. This
is your balance and as your body moves, as long, as your mental place
remains stable then you are, in balance. Then, start dancing with
instinctual movements, of martial arts and dance, together in a flowing form. Dancing near people
and keeping them off balance, while striking, as you can through martial
arts, in a melded dance form. Using the unpredictability, of yourself is the
key elements, of the art of dance fighting. Think of yourself as a
balerina that is dancing from the sheer joy of it. To keep them off
balance and hit them with a critical hit by pressure point hit and with
stiffened fingers.
Feel
that joy and revel as you knock people to the ground and beat the crap
out them with, or without lethal blows. This is good, to feel, as you
transfer that joy, into destruction purpose, and into the other person,
as what you want, or intended. Use punches, kicking, and elbow
shoving as necessary. Adding jump kicking and back swing kicking helps
the dance as well. The secret to the dance is self made movement with
creativity to a deadly effect. When dancing the dance fighting art,
have fun and practice making new moves to keep the enemy off balance
and added to this is they never guess your next move. Practice
this art until it is ingrained in your body memory. The dance is done
when you have defeated all your enemies in the area. Count the area as
if an arena.
The
most prominent direct hit effect there is to disrupt the life of the
average person is a sudden influx or downright addition of chaos. When
you've been trapped in iron your entire life and suddenly water
corrodes or it is cut in half, the chaos leaks in, the chaos leaks out,
and it causes more. You can do your best to stop it or you can accept
it, deal with it, use it and become stronger than those who neglected
to do so. So dancing and inflicting chaos is the effect of directing
punch and blow.
Dance
magic is the art of dance fighting with magic added to it. Like before,
dance with instinct while dancing with balance of the mind platform.
Change the style a little and start dancing runes while doing the
deadly ballet.
These sigil/rune effects are drawn, in more detail, at the bottom, of this page. With graphics here.
The
top half of the circle outline pointing down. This is the reflection of
spells sent at you or near you by a magical barrier being raised by the
act of dancing it and the energy raised by kinetic motion aiding
it.from the dance.
The
lower half of circle outline pointing upwards is the negative symbol,
for destructive impulses in your enemy.
The
whole circle stands for perfect defense, by time manipulation, of yourself while deflecting
through an air barrier the physical blows and the magical spells around
you. Dance this by a twirling move that will have you standing on one
leg and the other leg draws the circle around you.
The
three lined equal sign. Which is the symbol of balanced defense. This
raises an air defense that keeps people from hitting dead on.
The
symbol of the horizontal line and the top half circle sigil underneath
makes blows miss and the effects of any energy attack, to effect anything else but you, thats around
you.
The
effects of the + sign and the X sign overlaid is to negate any magic in
the area of casting for 2 hours except for the caster of the rune.
When
using the rune that turns the will of the enemy caster against
themselves, be near the caster when dancing it. This rune is the Y
symbol overlaid with the horizontal bar accross the middle of it at the
conjunction of the three lines forming the Y.
To
dance the pattern of a | overlaid with a upward pointing U at the top
part with the line going through it still while three lines are aligned
across the top is the usage of the negative emotions revealed in your
enemies. This one rune causes such distraction amongst the enemies,
that they fight amongst themselves and can ignore you. To feel as they
can be just, as they are.
The
symbol of positive reinforcement amongst yourself and others of your
group is the sign of a | with a Y overlaying it. This is the rune Algiz
and is, as the at sign
that also dispels evil and your enemies. If, needed to, it can cause
unwanted actions, to people who be bad, to cause them to leave the area.
To draw a | mark in dance form is to pause
indefinitely the effect they put, to you and this can make the damage
disappear as well.
To
draw a guardian angel is the | sign with the Y sign with the - sign in
the middle and with the upside down U underneath it. All this on the
same vertical line and done with dancing equilibrium for a guardian
angel that will support your good. Do not draw the upside down version
of this! This will bring an avatar of evil, unless your evil as it gets
the guardian angel that is of evil and will support itself while it may
support the evil person.
Dance the effect represented, by a lower half bottom
circle part, mixed with a horizontal line going across the top and a
line going down, into meeting the bottom part. Makes it so, that you
pierce the others shielding.
To draw a ( will pause indefinitely the effect and
deflect it the blow back as though you were shielded. This is as close
to a shield you can get, more to the point, its where instead you are
not as effected by the blow and they mystically get some of the damage.
To draw a ) reflects some of your blow to you or
sometimes with intention of it working, they will get a semi-blow onto
you.
To draw the lower half of the ( in dance is to do
what you want in intention as your action is your intention. Thus, you
can do more damage, as, in effect you do spiritual hits, by a simple
movement. To do it in spirit, you are still doing it, to dealing blows, to
the other.
To
draw the upper half of the ) in dance is as you want to
and you cancel the spirit damage out by intion and your action. It only
takes one action to cancel the blow out. Some avoidance is the best way
so you avoid collecting more punishment. It is the mark that collects
energy from damageand blows and you heal quicker with its effects. It
is done, as in effect.
Practice
these moves when you think it is safe with the thought "unless I need
it it won't happen" think of the source and the attempt and do. When
trying them out, practice on getting them intuitively ingrained in your
dance fighting movements. Get the runes to flow with the dance with no
interruption of it. Be assured as that unless you need them when
practicing, they won't have an effect. This is the ultimate balance
between magic, dancing, and fighting. As always, feel the joy of the
dance when in action!